URSULA K. LE GUIN QUOTES IV

American author (1929- )

Revolution is our obligation: our hope of evolution.

URSULA K. LE GUIN

The Dispossessed

Tags: revolution


Virginity is now a mere preamble or waiting room to be got out of as soon as possible; it is without significance. Old age is similarly a waiting room, where you go after life’s over and wait for cancer or a stroke. The years before and after the menstrual years are vestigial: the only meaningful condition left to women is that of fruitfulness.

URSULA K. LE GUIN

"The Space Crone", Co-Evolution Quarterly, summer 1976

Tags: Ursula K. Le Guin


Realism is a very sophisticated form of literature, a very grown-up one. And that may be its weakness. But fantasy seems to be eternal and omnipresent and always attractive to kids.

URSULA K. LE GUIN

interview, The Paris Review, fall 2013

Tags: realism


O foolish writer. Now moves. Even in storytime, dreamtime, once-upon-a-time, now isn't then.

URSULA K. LE GUIN

foreward, Tales from Earthsea

Tags: present


For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination


It was easy to share when there was enough, even barely enough, to go round. But when there was not enough? Then force entered in; might making right; power, and its tool, violence, and its most devoted ally, the averted eye.

URSULA K. LE GUIN

The Dispossessed


They had learned that the act of violence is the act of weakness, and that the spirit's strength lies in holding fast to the truth.

URSULA K. LE GUIN

"The Eye of the Heron"

Tags: violence


It's not a weapon or a woman can make a man, or magery either, or any power, anything but himself.

URSULA K. LE GUIN

Tehanu


One swallow does not make a summer.

URSULA K. LE GUIN

The Lathe of Heaven

Tags: summer


Living, being in the world, was a much greater and stranger thing than she had ever dreamed.

URSULA K. LE GUIN

The Tombs of Atuan


No, I don't mean love, when I say patriotism. I mean fear. The fear of the other. And its expressions are political, not poetical: hate, rivalry, aggression. It grows in us, that fear. It grows in us year by year.

URSULA K. LE GUIN

The Left Hand of Darkness

Tags: patriotism


Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination

Tags: writing


Have you never thought how danger must surround power as shadow does light?

URSULA K. LE GUIN

A Wizard of Earthsea

Tags: power


There are very real differences between science fiction and realistic fiction, between horror and fantasy, between romance and mystery. Differences in writing them, in reading them, in criticizing them. Vive les différences! They're what gives each genre its singular flavor and savor, its particular interest for the reader--and the writer.

URSULA K. LE GUIN

interview, Electric Lit, August 7, 2014


Darkness is only in the mortal eye, that thinks it sees, but sees not.

URSULA K. LE GUIN

The Left Hand of Darkness


Fire and fear, good servants, bad lords.

URSULA K. LE GUIN

The Left Hand of Darkness

Tags: fear


Men are afraid of virgins, but they have a cure for their own fear and the virgin's virginity.

URSULA K. LE GUIN

"The Space Crone", Co-Evolution Quarterly, summer 1976


Now perhaps an excessive dread of overpopulation--overcrowding--reflects not an outward reality, but an inward state of mind. If you feel overcrowded when you're not, what does that mean? Maybe that you're afraid of human contact--of being close to people, of being touched.

URSULA K. LE GUIN

The Lathe of Heaven


To which Silence of course made no reply, letting him hear what he had said and feel its foolishness thoroughly.

URSULA K. LE GUIN

Tales from Earthsea

Tags: silence


Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination

Tags: art