Canadian writer (1951- )
I never even considered writing a career option. I just liked the play of words. I was certainly interested in story, but the stories I was telling then were in narrative verse and prose poems, short and succinct, except for one novel-length poem written in narrative couplets.
CHARLES DE LINT
"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013
All my life I've wanted to be the kid who gets to cross over into the magical kingdom.
CHARLES DE LINT
The Onion Girl
When you're invisible, no one can see that you're different.
CHARLES DE LINT
"Pal o' Mine", The Ivory and the Horn
Sculptors, poets, painters, musicians--they're the traditional purveyors of Beauty. But it can as easily be created by a gardener, a farmer, a plumber, a careworker.
CHARLES DE LINT
The Onion Girl
It may sound trite, but using the weapons of the enemy, no matter how good one's intentions, makes one the enemy.
CHARLES DE LINT
The Little Country
The moon likes secrets ... and secret things. She lets mysteries bleed into her shadows and leaves us to ask whether they originated from otherworlds, or from our own imaginations.
CHARLES DE LINT
Dreams Underfoot
I was a misfit, but I think most teenagers feel that way. I don't care if you were a popular jock or the kid who spent his lunch hours in a stairwell reading a book, we all seem to have dealt with insecurities of one kind or another throughout our high school years.
CHARLES DE LINT
"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013
Thing is, while I know better, I like sounding ignorant. Talk like this and people figure you're about as dumb as a fencepost, which suits me fine. Makes it all that much easier to take advantage of 'em.
CHARLES DE LINT
The Onion Girl
You can take the woman outta the trash, but you can't take the trash out a the woman.
CHARLES DE LINT
The Onion Girl
I'm pretty much fixated on certain themes. Family, but it's family of choice as much as family of blood. Individuality, yes, but not at the cost of others' happiness. Be true to your friends. Remembering to find some wonder and hope in the world. Basically it boils down to: treat people like you'd like them to treat you, leave the world a little better than it was when you got here, respect others and stand up for those who can't stand up for themselves.
CHARLES DE LINT
"A Conversation With Charles de Lint", SFsite, 2000
I think you're all mad. But that's part and parcel of being an artistic genius, isn't it?
CHARLES DE LINT
"Baiting the Hook", Memory and Dream
One expected growth, change; without it, the world was less, the well of inspiration dried up, the muses fled.
CHARLES DE LINT
Memory and Dream
It's one of those inexplicable things. I remember stepping out of the airport the first time we came to Tucson (it must fifteen years or so ago, now) and I just felt like I was home. I'm not sure why. Maybe it's because I lived in desert country when I was a kid (Turkey, Lebanon, with lots of side trips through the Middle East and Egypt). Maybe it was from reading all those Louis L'Amour and Zane Grey westerns when I was a kid. Maybe it's because it was once a sea and we all came from there originally.
CHARLES DE LINT
interview with Kim Antieau, April 28, 2008
To me there's no difference between writing YA and adult except that in YA I make the book a little shorter and the protagonists are teens. The difference is in the readers.
CHARLES DE LINT
interview with Kim Antieau, April 28, 2008
The trouble with magic is that there's too much it just can't fix. When things go wrong, glimpsing junkyard faerie and crows that can turn into girls and back again doesn't help much. The useful magic's never at hand. The three wishes and the genies in bottles, seven-league boots, invisible cloaks and all. They stay in the stories, while out here in the wide world we have to muddle through as best we can on our own.
CHARLES DE LINT
The Onion Girl
A long time ago a bunch of people reached a general consensus as to what's real and what's not and most of us have been going along with it ever since.
CHARLES DE LINT
"Where Desert Spirits Crowd the Night", The Ivory and the Horn
Tattoos ... are the stories in your heart, written on your skin.
CHARLES DE LINT
The Mystery of Grace
The only real reason for self-referencing is the fun factor. It's fun for the writer, getting little peeks at what old characters might be up to. And it's fun for readers to spot a familiar face, or pick up on a made-up book title or something from an earlier story. I don't know that it does -- or even should -- contribute to the story in hand being any better than it would have been without it.
CHARLES DE LINT
"A Conversation With Charles de Lint", SFsite, 2000
Only fools think they're wise; the rest of us just muddle through as we can.
CHARLES DE LINT
"Where Desert Spirits Crowd the Night", The Ivory and the Horn
I've always been aware of the otherworld, of spirits that exist in that twilight place that lies in the corner of our eyes, of fairie and stranger things still that we spy only when we're not really paying attention to them, whispers and flickering shadows, here one moment, gone the instant we turn our heads for a closer look. But I couldn't always find them. And when I did, for a long time I thought they were only this excess of imagination that I carry around inside me, that somehow it was leaking out of me into the world.
CHARLES DE LINT
The Onion Girl