quotations about writing
There is, as yet, no Act of Parliament compelling a bona fide traveler to read. If you wish him to read, you must make reading pleasant. You must give him short views, and clear sentences.
WALTER BAGEHOT
Literary Studies
There are three rules for writing the novel. Unfortunately, no one knows what they are.
W. SOMERSET MAUGHAM
attributed, Literary Agents: How to Get & Work with the Right One for You
After being turned down by numerous publishers, he decided to write for posterity.
GEORGE ADE
"The Fable of the Bohemian Who Had Hard Luck", Fables in Slang
If I write novels in a country in which most citizens are illiterate, who then is my community?
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.
CHINUA ACHEBE
Anthills of the Savannah
I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.
ADAM RAPP
interview, Bomb Magazine, spring 2006
To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.
URSULA K. LE GUIN
The Guardian, December 17, 2005
Getting even is one great reason for writing.... But getting even isn't necessarily vicious. There are two ways of getting even: one is destructive and the other is restorative. It depends on how the scales are weighted.
WILLIAM H. GASS
The Paris Review, summer 1977
It's not the word made flesh we want in writing, in poetry and fiction, but the flesh made word.
WILLIAM H. GASS
On Being Blue
I don't believe in the notion that some characters have lives of their own and the author follows after them. The author has to be careful not to force the character to do something that would go against the logic of that character's personality, but the character does not have independence. The character is trapped in the author's hand, in my hand, but he is trapped in a way he does not know he is trapped. The characters are on strings, but the strings are loose; the characters enjoy the illusion of freedom, of independence, but they cannot go where I do not want them to go. When that happens, the author must pull on the string and say to them, I am in charge here.
JOSÉ SARAMAGO
The Paris Review, winter 1998
With 60 staring me in the face, I have developed inflammation of the sentence structure and a definite hardening of the paragraphs.
JAMES THURBER
New York Post, June 30, 1955
I made up my mind long ago to follow one cardinal rule in all my writing -- to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics -- Well, they can do whatever they wish.
ISAAC ASIMOV
introduction, Nemesis
To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.
KINGSLEY AMIS
The Amis Collection: Selected Non-fiction
Writing is nothing more than a guided dream.
JORGE LUIS BORGES
preface, Dr. Brodie's Report
It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.
ERNEST HEMINGWAY
Nobel Prize speech, December 10, 1954
The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.
ANAÏS NIN
The Diary of Anaïs Nin
It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.
CHINUA ACHEBE
interview, Okike, 1990
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001
As we understand it, the surest way to make a living by the pen is to raise pigs.
ROBERT ELLIOTT GONZALES
Poems and Paragraphs
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
VIRGINIA WOOLF
The Common Reader