quotations about writing
The poet cannot invent new words every time, of course. He uses the words of the tribe. But the handling of the word, the accent, a new articulation, renew them.
EUGENE IONESCO
Present Past / Past Present
If a high quality of writing is to occur, it is reasonable to acknowledge that an open mind and a critical ear are essential tools that are used during all phases of revision.
GARRETT SAYERS
"Reading Aloud Is Essential to Quality Writing", Liberty Voice, January 31, 2016
I write a sentence a thousand times, changing it all the time to look at it in different ways.
FRAN LEBOWITZ
The Paris Review, summer 1993
If I write novels in a country in which most citizens are illiterate, who then is my community?
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.
ADAM RAPP
interview, Bomb Magazine, spring 2006
Writing is a conversation, to me. The best kind. You can't get interrupted.
GERALD ASHER
speech at the Symposium for Professional Wine Writers, February 2011
How one writes is a bit of a mystery to oneself. You just do it. My experience is that I sit down and write and I make it sound right to me, or sound good or interesting. And that's it.
ADAM PHILLIPS
"Poetry as Therapy", The Guardian, March 29, 2012
I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.
ELIF BATUMAN
The Paris Review, winter 2012
I find writing extremely difficult. I usually have to drag myself to my desk, mainly because I doubt myself. And it's getting harder because I want to improve with every book. Sometimes I guess it's best just to forget there's an audience and just write like no one will ever read it at all.
MARKUS ZUSAK
"Why I Write", The Guardian, March 28, 2008
There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word--tension--has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end--is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?
JOHN JEREMIAH SULLIVAN
"Everything is more complicated than you think", The Economist, November 14, 2011
The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.
ARISTOTLE
Poetics
I gotta pound the keys for the ideas to flow.
KIRBY LARSON
interview, Author Turf, March 6, 2014
Without a pen in my hand I can't think.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
The reason a writer writes a book is to forget a book and the reason a reader reads one is to remember it.
THOMAS WOLFE
The Autobiography of an American Novelist
The truth I'm trying to convey is not a startling one, it is simply a peeling away of affectation. I use whatever gift I have to get behind the façade.
ANITA BROOKNER
The Paris Review, fall 1987
It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
My plots are always rudimentary. Whatever I've accomplished certainly does not depend on my virtuosity with plot. Generally I don't even have a plot. What happens is that my characters engage in an action, and out of that action little bits of plot sometimes adhere to the narrative. I never have to worry about lifting a plot, because I don't conceive of a book that way.
NORMAN MAILER
The Paris Review, winter-spring 1964
I don't believe in the notion that some characters have lives of their own and the author follows after them. The author has to be careful not to force the character to do something that would go against the logic of that character's personality, but the character does not have independence. The character is trapped in the author's hand, in my hand, but he is trapped in a way he does not know he is trapped. The characters are on strings, but the strings are loose; the characters enjoy the illusion of freedom, of independence, but they cannot go where I do not want them to go. When that happens, the author must pull on the string and say to them, I am in charge here.
JOSÉ SARAMAGO
The Paris Review, winter 1998
You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.
KELLY LINK
"A Vampire is a Flexible Metaphor: An Interview with Kelly Link", Gigantic Magazine, October 23, 2013
In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.
DORIS LESSING
The New York Times, April 22, 1984