quotations about writing
I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.
MARTIN AMIS
The Paris Review, spring 1998
Everybody can write; writers can't do anything else.
MIGNON MCLAUGHLIN
The Complete Neurotic's Notebook
I cannot and do not live in the world of discretion, not as a writer, anyway. I would prefer to, I assure you -- it would make life easier. But discretion is, unfortunately, not for novelists.
PHILIP ROTH
Deception: A Novel
The life of a writer is absolute hell ... if he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.
ROALD DAHL
Boy
Writers cannot let themselves be servants of the official mythology. They have to, whatever the cost, say what truth they have to say.
TOBIAS WOLFF
Continuum, summer 1998
Writing is a kind of centering, a kind of meditation. I find it to be profoundly rewarding. Actually, I'm an addict. If I go too long, and so far that hasn't been longer than a week, I start to feel unsettled, nervous. I begin to feel that I'm not engaged, a disconnection is threatening my world, that I'm being passed by and I'm both failing myself and the world by not writing about it.
WALTER BARGEN
"An interview with Walter Bargen, first poet laureate of Missouri"
Getting even is one great reason for writing.... But getting even isn't necessarily vicious. There are two ways of getting even: one is destructive and the other is restorative. It depends on how the scales are weighted.
WILLIAM H. GASS
The Paris Review, summer 1977
My father really taught me that you really develop the habit of writing and you sit down at the same time every day, you don't wait for inspiration. You sit down, it helps your subconscious understand that it's time to start writing and to relax down into that well of dream material and memory and imagination. So, I sit down at the exact same time every day. And I let myself write really awful first drafts of things. I take very short assignments; I will capture for myself in a few words what I'm going to be trying to do that morning, or in that hour. Maybe I'm going to write a description of the lake out in Inverness in West Marin, where I live. And so I try to keep things really small and manageable. I have a one-inch picture frame on my desk so I can remember that that's all I'm going to be able to see in the course of an hour or two, and then I just let myself start and it goes really badly most mornings; as it does for most writers.
ANNE LAMOTT
interview, Big Think, April 6, 2010
It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.
ERNEST HEMINGWAY
Nobel Prize speech, December 10, 1954
I have friends, some of whom are spectacularly good writers, who really want someone to edit them. I don't register that impulse. It's like the impulse for wanting a dog.
FRAN LEBOWITZ
interview, A. V. Club, June 17, 2011
With 60 staring me in the face, I have developed inflammation of the sentence structure and a definite hardening of the paragraphs.
JAMES THURBER
New York Post, June 30, 1955
So nothing will ever be written down again. Perhaps the act of writing is necessary only when nothing happens.
KOBO ABE
The Face of Another
I always have the feeling that I'm never going to be able to write anything funny again. That's why I keep writing funny things. I have to prove to myself that I'm wrong.
RITA RUDNER
interview, Huffington Post, March 18, 2013
I write from a thorough conviction that it is the duty of me, and with the belief that, after every drawback and shortcoming, I do my best, all things considered--that is for me, and, so being, the not being listened to by one human creature would, I hope, in nowise affect me.
ROBERT BROWNING
letter to Elizabeth Barrett, February 11, 1845
After a few days of writing I am as happy to see people as if I've been marooned on a desert island for a month.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
Fiction -- at least for me -- requires long, relatively uninterrupted time stretches in which to bring it to fruition. I've never been a two-hour-in-the-morning writer, who could put in another six hours on Sunday afternoon. For me, a novel requires weeks of living in a largely mental and wholly internal landscape. Everything else has to be relegated to the odd hour here, the bit of time there. Sadly, however, uninterrupted time blocks are not what life doles out today to any of us with regularity.
SAMUEL R. DELANY
interview, SF Site, April 2001
To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.
URSULA K. LE GUIN
The Guardian, December 17, 2005
With films, I just scribble a couple of notes for a scene. You don't have to do any writing at all, you just have your notes for the scene, which are written with the actors and the camera in mind. The actual script is a necessity for casting and budgeting, but the end product often doesn't bear much resemblance to the script--at least in my case.
WOODY ALLEN
The Paris Review, fall 1995
Writing is a job, a talent, but it's also the place to go in your head. It is the imaginary friend you drink your tea with in the afternoon.
ANN PATCHETT
Truth and Beauty
Fiction writing is like duck hunting. You go to the right place at the right time with the right dog. You get into the water before dawn, wearing a little protective gear, then you stand behind some reeds and wait for the story to present itself. This is not to say you are passive. You choose the place and the day. You pick the gun and the dog. You have the desire to blow the duck apart for reasons that are entirely your own. But you have to be willing to accept not what you wanted to have happen, but what happens. You have to write the story you find in the circumstances you've created, because more often than not the ducks don't show up. The hunters in the next blind begin to argue, and you realize they're in love. You see a snake swimming in your direction. Your dog begins to shiver and whine, and you start to think about this gun that belonged to your father. By the time you get out of the marsh, you will have written a novel so devoid of ducks it will shock you.
ANN PATCHETT
What Now?