WRITING QUOTES XVI

quotations about writing

I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing I might be able to catch the rainbow of consciousness in a jar.

JEFFREY EUGENIDES

Middlesex

Tags: Jeffrey Eugenides


My gratitude for good writing is unbounded; I'm grateful for it the way I'm grateful for the ocean.

ANNE LAMOTT

Bird by Bird

Tags: Anne Lamott


Perhaps the pleasure one feels in writing is not the infallible test of the literary value of a page; perhaps it is only a secondary state which is often superadded, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written while yawning.

MARCEL PROUST

Within a Budding Grove

Tags: Marcel Proust


The creations of a great writer are little more than the moods and passions of his own heart, given surnames and Christian names, and sent to walk the earth.

WILLIAM BUTLER YEATS

letter to the editor, Dublin Daily Express, February 27, 1895

Tags: William Butler Yeats


The only characters I've made to resemble real people have been grotesques.

GLEN COOK

interview, SF Site, September 2005

Tags: Glen Cook


Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.

KELLY LINK

interview, Apex Magazine, July 2, 2013

Tags: Kelly Link


When I am asked how or why I wrote this or that, I always find myself quite embarassed. I would gladly furnish not merely the questioner, but myself as well, with an exhaustive answer, but can never do so. I cannot recreate the context in its entirety, yet I wish that I could, so that at least the literature I myself make might be made slightly less of a mysterious process than bridge-building and bread-baking.

HEINRICH BÖLL

Nobel Lecture, May 2, 1973

Tags: Heinrich Böll


When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997


Write only of what is important and eternal.

ANTON CHEKHOV

The Seagull


A major character has to come somehow out of the unconscious.

GRAHAM GREENE

New York Times, October 9, 1985


Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.

FLANNERY O'CONNOR

attributed, The Book of Poisonous Quotes

Tags: Flannery O'Connor


For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.

TANITH LEE

interview, Innsmouth Free Press, November 17, 2009


How hard is the destiny of a maker of books! He has to cut and sew up in order to make ideas follow logically. But when one writes a book on reverie, has the time not come to let the pen run, to let reverie speak, and better yet to dream the reverie at the same time one believes he is transcribing it?

GASTON BACHELARD

The Poetics of Reverie: Childhood, Language, and the Cosmos

Tags: Gaston Bachelard


If it is a distinction to have written a good book, it is also a disgrace to have written a bad one.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

Tags: Christian Nestell Bovee


If you're writing about a character, if he's a powerful character, unless you give him vulnerability I don't think he'll be as interesting to the reader.

STAN LEE

interview, March 13, 2006

Tags: Stan Lee


Most writer zombies don't realize they are the undead, because they do just enough to convince themselves (and others) that they are actual writers. They talk a lot about writing -- boy, are writer zombies great talkers -- going on for hours about the screenplay or pilot they're supposedly writing or will write once they have the time. They also read writing books and blogs and take seminars because that makes them feel like they are in the game. And they take classes, especially those that impose short-term deadlines, because that gets them writing, which makes them feel alive. But once the class is over, they almost always go back to their zombie ways.

COREY MANDELL

"Beware the Writing Zombies", Huffington Post, February 25, 2016


Of all that is written I love only what a man has written with his blood. Write with blood, and you will find that blood is spirit.

FRIEDRICH NIETZSCHE

Thus Spoke Zarathustra

Tags: Friedrich Nietzsche


That's also part of having great editors -- they can sort of be honest with you and say, "I see where you're headed with this, but I don't think it's there yet. Dig deeper, babe, and come back with something more." And that's what you do, you dig waaaaaaaay down and you walk around the block eight million times and then you have it -- shazam! And it all comes together in something soooo much better than you thought you were capable of.

VICTORIA LAURIE

interview, Author's Den

Tags: Victoria Laurie


The process of writing a novel is like taking a journey by boat. You have to continually set yourself on course. If you get distracted or allow yourself to drift, you will never make it to the destination. It's not like highly defined train tracks or a highway; this is a path that you are creating, discovering. The journey is your narrative.

WALTER MOSLEY

This Year You Write Your Novel

Tags: Walter Mosley


The writer is often faced with two choices--turn away from the reality of life's intimidating complexity or conquer its mystery by battling with it. The writer who chooses the former soon runs out of energy and produces elegantly tired fiction.

CHINUA ACHEBE

There Was a Country: A Personal History of Biafra