WRITING QUOTES XVII

quotations about writing

Once somebody's aware of a plot, it's like a bone sticking out. If it breaks through the skin, it's very ugly.

LOUIS AUCHINCLOSS

The Paris Review, fall 1994


I believe so. In its beginning, dialogue's the easiest thing in the world to write when you have a good ear, which I think I have. But as it goes on, it's the most difficult, because it has so many ways to function. Sometimes I needed to make a speech do three or four or five things at once--reveal what the character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth--all in his single speech. And the speech would have to keep the essence of this one character, his whole particular outlook in concentrated form. This isn't to say I succeeded. But I guess it explains why dialogue gives me my greatest pleasure in writing.

EUDORA WELTY

The Paris Review, fall 1972


If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.

CRAIG JOHNSON

"A Conversation with Craig Johnson", The Cold Dish

Tags: Craig Johnson


The writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit -- for gallantry in defeat -- for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally-flags of hope and of emulation.

JOHN STEINBECK

Nobel Prize acceptance speech, December 10, 1962


A writer should be able to express himself easily, naturally, copiously in a form that frees his mind, his energies. Why should he hobble himself with formalities?

SAUL BELLOW

The Paris Review, winter 1966


I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.

JEANETTE WINTERSON

The Paris Review, winter 1997

Tags: Jeanette Winterson


I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing I might be able to catch the rainbow of consciousness in a jar.

JEFFREY EUGENIDES

Middlesex

Tags: Jeffrey Eugenides


If there is an occupational hazard to writing, it's drinking.

CORMAC MCCARTHY

New York Times, April 19, 1992

Tags: Cormac McCarthy


We need the expressive arts, the ancient scribes, the storytellers, the priests. And that's where I put myself: as a storyteller. Not necessarily a high priestess, but certainly the storyteller. And I would love to be the storyteller of the tribe.

TANITH LEE

"Love & Death & Publishers", Locus Magazine, April 1998

Tags: Tanith Lee


"Writing" is the Latin of our times. The modern language of the people is video and sound.

LAWRENCE LESSIG

Wikimania 2006

Tags: Lawrence Lessig


He that writes to himself, writes to an eternal public.

ELIZA COOK

Diamond Dust

Tags: Eliza Cook


One forges one's style on the terrible anvil of daily deadlines.

EMILE ZOLA

Le Figaro


There's something paralyzing about being a writer that you have to escape.... The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.

NICHOLSON BAKER

interview, Interview Magazine, September 16, 2013

Tags: Nicholson Baker


How hard is the destiny of a maker of books! He has to cut and sew up in order to make ideas follow logically. But when one writes a book on reverie, has the time not come to let the pen run, to let reverie speak, and better yet to dream the reverie at the same time one believes he is transcribing it?

GASTON BACHELARD

The Poetics of Reverie: Childhood, Language, and the Cosmos

Tags: Gaston Bachelard


Sometimes I think that my best writing comes from exposing my fears and vulnerabilities and hoping that nobody notices it's about me.

VICTORIA LAURIE

Twitter post, October 13, 2014

Tags: Victoria Laurie


To write is to act.

HENRI-DOMINIQUE LACORDAIRE

Letters to Young Men

Tags: Henri-Dominique Lacordaire


I write from a thorough conviction that it is the duty of me, and with the belief that, after every drawback and shortcoming, I do my best, all things considered--that is for me, and, so being, the not being listened to by one human creature would, I hope, in nowise affect me.

ROBERT BROWNING

letter to Elizabeth Barrett, February 11, 1845

Tags: Robert Browning


I have friends, some of whom are spectacularly good writers, who really want someone to edit them. I don't register that impulse. It's like the impulse for wanting a dog.

FRAN LEBOWITZ

interview, A. V. Club, June 17, 2011

Tags: Fran Lebowitz


A major character has to come somehow out of the unconscious.

GRAHAM GREENE

New York Times, October 9, 1985


A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead.

GRAHAM GREENE

The End of the Affair

Tags: Graham Greene