quotations about writing
Often I think writing is a sheer paring away of oneself leaving always something thinner, barer, more meager.
F. SCOTT FITZGERALD
letter to "Scottie" Fitzgerald, April 27, 1940
He that writes to himself, writes to an eternal public.
ELIZA COOK
Diamond Dust
The first forms of writing emerged not for art, literature, or love, not for spiritual or liturgical purposes, but for business--all literature could be said to originate from sales receipts (sorry).
DANIEL J. LEVITIN
The Organized Mind
I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort--I mean I didn't give a damn about the meaning, I just wanted to master the form--all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
Some people talk to themselves, and some people write, and somehow society has decided that one gets committed and one gets a paycheck.
BOB LONSBERRY
official website
The purpose of a writer is to keep civilization from destroying itself.
ALBERT CAMUS
attributed, 2012: Waking of the Prophets
The world is a hellish place, and bad writing is destroying the quality of our suffering. It cheapens and degrades the human experience, when it should inspire and elevate.
TOM WAITS
"Strange Innocence", Vanity Fair, July 2001
When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.
TENNESSEE WILLIAMS
The Paris Review, fall 1981
Nothing bad can happen to a writer. Everything is material.
PHILIP ROTH
attributed, Literary Agents: How to Get & Work With the Right One For You
It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.
LOUISE ERDRICH
The Paris Review, winter 2010
To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.
KINGSLEY AMIS
The Amis Collection: Selected Non-fiction
Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.
KELLY LINK
interview, Apex Magazine, July 2, 2013
To finish is sadness to a writer--a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.
JOHN STEINBECK
The Paris Review, fall 1975
Writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational.
JAMES M. CAIN
The Paris Review, spring-summer 1978
I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.
J. D. SALINGER
"Seymour: An Introduction"
When I am asked how or why I wrote this or that, I always find myself quite embarassed. I would gladly furnish not merely the questioner, but myself as well, with an exhaustive answer, but can never do so. I cannot recreate the context in its entirety, yet I wish that I could, so that at least the literature I myself make might be made slightly less of a mysterious process than bridge-building and bread-baking.
HEINRICH BÖLL
Nobel Lecture, May 2, 1973
A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead.
GRAHAM GREENE
The End of the Affair
How hard is the destiny of a maker of books! He has to cut and sew up in order to make ideas follow logically. But when one writes a book on reverie, has the time not come to let the pen run, to let reverie speak, and better yet to dream the reverie at the same time one believes he is transcribing it?
GASTON BACHELARD
The Poetics of Reverie: Childhood, Language, and the Cosmos
If a high quality of writing is to occur, it is reasonable to acknowledge that an open mind and a critical ear are essential tools that are used during all phases of revision.
GARRETT SAYERS
"Reading Aloud Is Essential to Quality Writing", Liberty Voice, January 31, 2016
I believe so. In its beginning, dialogue's the easiest thing in the world to write when you have a good ear, which I think I have. But as it goes on, it's the most difficult, because it has so many ways to function. Sometimes I needed to make a speech do three or four or five things at once--reveal what the character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth--all in his single speech. And the speech would have to keep the essence of this one character, his whole particular outlook in concentrated form. This isn't to say I succeeded. But I guess it explains why dialogue gives me my greatest pleasure in writing.
EUDORA WELTY
The Paris Review, fall 1972