WRITING QUOTES III
quotations about writing
I seldom have a firm plot or any idea at all about the ending. But there is a clear, almost mathematically conceptual idea that determines length--the length or brevity of a literary work being comparable to the size of the frame needed by a picture.
HEINRICH BÖLL
The Paris Review, spring 1983
Whoop! 6K words, 21 pages, and 8 miles on the treadmill -- DONE! #ProductiveDay #LetThereBeIceCream
VICTORIA LAURIE
Twitter post, December 21, 2014
In writing ... remember that the biggest stories are not written about wars, or about politics, or even murders. The biggest stories are written about the things which draw human beings closer together.
SUSAN GLASPELL
Little Masks
Sex has to be good for both partners. That is also the key to writing both fiction and nonfiction. It has to be a good experience for both partners, the writer and the reader, and it is a source of distress to me to observe how frequently writers ignore the pleasure of their partners.
SOL STEIN
Stein on Writing
The interesting thing is that I rarely look at the outline once I've done it. And when I read the outline once I've written the novel, I realize I've written a totally different book.
JONATHAN KELLERMAN
"Novelist explains how psychology training honed his writing", USC News, February 25, 2016
A writer's greatest pleasure is revealing to people things they knew but did not know they knew. Or did not realize everyone else knew, too. This produces a warm sense of fellow feeling and is the best a writer can do.
ANDY ROONEY
"A Few Words from Andy Rooney: A Face of America Commentary"
If you will describe the people--nay, if you will write for the people, you must be one of the people.
WALTER BAGEHOT
Literary Studies
It is the specialist's task to talk about means, about centimeters. An artist's task is to talk about the goal, about kilometers, thousands of kilometers. The organizing role of art consists of infecting the reader, of arousing him with pathos or irony -- the cathode and anode in literature. But irony that is measured in centimeters is pathetic, and centimeter-sized pathos is ridiculous. No one can be carried away by it. To stir the reader, the artist must speak not of means but of ends, of the great goal toward which mankind is moving.
YEVGENY ZAMYATIN
The Goal
I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
Before I write down one word, I have to have the character in my mind through and through. I must penetrate into the last wrinkle of his soul.
HENRIK IBSEN
letter to Munich editor Georg Conrad
Irish English is a very different beast from English English or American English. Very different. The way in which Irish writers are only too happy to infuse their language with ambiguity is very different. An English writer will try to be clear. Orwell said that good prose should be like a pane of glass. The Irish writer would say: 'No no, it's a lens, it distorts everything.'
JOHN BANVILLE
"Oblique dreamer", The Guardian, September 17, 2000
Here's a news flash--writers are selfish people. Truth is, creative types like me are driven by one impulse--to make up a world in which we get to control everything and everyone. We decide who enters and who exits, what the weather will be, who will hook up with whom, who will win and who will lose. It makes us feel powerful and, in all honesty, has relatively little to do with thinking about what will make anyone else happy.
VICTORIA LAURIE
acknowledgements, What's A Ghoul to Do?
I don't give a damn what other people think. It's entirely their own business. I'm not writing for other people.
HAROLD PINTER
interview, December 1971
Metaphors get under your skin by ghosting right past the logical mind.
JANE HIRSHFIELD
"The Art of Metaphor"
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.... The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days.
JOHN BANVILLE
The Paris Review, spring 2009
In his prime the Hollywood screenwriter was one of the tragic figures of our age, evoking the special anguish that arises from feeling sorry for oneself while making large amounts of money.
J. G. BALLARD
A User's Guide to the Millennium
Cautious men have many adverbs, "usually," "nearly," "almost ": safe men begin, " it may be advanced " : you never know precisely what their premises are, nor what their conclusion is; they go tremulously like a timid rider; they turn hither and thither; they do not go straight across a subject, like a masterly mind.
WALTER BAGEHOT
Literary Studies
There was a kind of poetry I was seeking in my prose, word to be laid against word in just a certain way, a kind of word color, a march of words and sentences, the color to be squeezed out of simple words, simple sentence construction.
SHERWOOD ANDERSON
Memoirs
To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn't know that somehow in the past I had written a book, I would have given up.
V. S. NAIPAUL
New York Times, April 24, 1994
A true piece of writing is a dangerous thing. It can change your life.
TOBIAS WOLFF
Old School