WRITING QUOTES VI

quotations about writing

I will agree that inspired writing is liquid gold when it comes to getting our words on paper. However, only writing when one feels inspired is a quick way to produce little to no content. If we waited to exercise only when we felt inspired we likely wouldn't be getting much movement. When something isn't habit those feelings of inspiration start coming further and further in between.

DANIELLE SABRINA

"5 Habits Holding You Back From Creating Great Content", Huffington Post, February 29, 2016


I'm grateful when stories come in a rush, although I keep an eye on them afterwards, to see whether they hold together. It's harder to judge the ones that took so long to finish. With those, I've lost perspective. Mostly I'm just glad that I can be done with them.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


Every experience shapes your writing, being stuck in a car on a lonely bridge, or dancing at a prom, being the it girl on the beach, all of those things influence your life, they influence how you write, and the topics you choose to write about.

MAYA ANGELOU

Facebook post, October 13, 2012

Tags: Maya Angelou


I believe the first story I ever wrote was about a young girl who was terribly mistreated by her very cruel parents, and one day the girl fled to the woods to live amongst a pack of wolves. Hey, I was eleven, loved wolves, and had been grounded for what I felt was a minor infraction. Can you blame me?

VICTORIA LAURIE

Relate Magazine, April 1, 2011


The funny thing about writing is that whether you're doing it well or you're doing it poorly, it looks the exact same. That is actually one of the main ways that writing is different from ballet dancing.

JOHN GREEN

"July 19: A Day in the Life of a Writer (Who Has No Friends)", YouTube


Just as the light and weightless vegetation of saltpeter floats over the old walls of houses as soon as the owner gets careless, so the literary vocation springs up in you.

FEDERICO GARCIA LORCA

letter to Jose Bello, summer 1925

Tags: Federico Garcia Lorca


I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph--each sentence, even--as I go along.

WILLIAM STYRON

The Paris Review, spring 1954


Anything that happens to you has some bearing upon what you write.

JOHN DOS PASSOS

The Paris Review, spring 1969


When you finish one book, you don't want to just write the same book again.

JEFFREY EUGENIDES

Slate, October 10, 2011


All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.

TRUMAN CAPOTE

Truman Capote: Conversations

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A story is a letter that the author writes to himself, to tell himself things that he would be unable to discover otherwise.

CARLOS RUIZ ZAFON

The Shadow of the Wind

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Writing is therapy. It's so relieving. I can be super overwhelmed with life and work or whatever is going on and I can take 10 or 15 minutes out of the day to put all of the thoughts I'm having out on paper. Not all the time the person I can talk to and not judge me. Writing and my journals are my best friend.

DELICIA RASHAD

"Local Poet Releases Latest Book on Life, Love and Tea", San Diego Voice and Viewpoint, March 30, 2017


The novelist is like the conductor of an orchestra, his back to the audience, his face invisible, summoning the experience of music for the people he cannot see. The writer as conductor also gets to compose the music and play all of the instruments, a task less formidable than it seems. What it requires is the conscious practice of providing an extraordinary experience for the reader, who should be oblivious to the fact that he is seeing words on paper.

SOL STEIN

Stein on Writing


I think a good writer is a mix of confidence (sure that what they're writing is going to appeal to their readers) and uncertainty (what if all these words are crap?). If you're too confident, you get an attitude that seeps through into your writing, affecting the characters and the story. If you're too uncertain, you'll never finish anything.

CHARLES DE LINT

interview with Kim Antieau, April 28, 2008

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Composition is a process of combination, in which thought puts together complementary truths, and talent fuses into harmony the most contrary qualities of style. So that there is no composition without effort, without pain even, as in all bringing forth. The reward is the giving birth to something living--something, that is to say, which, by a kind of magic, makes a living unity out of such opposed attributes as orderliness and spontaneity, thought and imagination, solidity and charm.

HENRI-FREDERIC AMIEL

Journal Intime

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To those who no longer have a homeland, writing becomes home.

THEODOR W. ADORNO

Minima Moralia

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Ideas are infinite--writers are hardwired to think that way. We keep it fresh by using new people, mixing character types and putting them in a different setting. It's always the first book all over again, but one idea can be told a thousand different ways. There are 88 keys on the piano, but you can make an infinite amount of music from those keys.

NORA ROBERTS

Time Magazine, November 29, 2007

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The economy of a novelist is a little like that of a careful housewife who is unwilling to throw away anything that might perhaps serve its turn. Perhaps the comparison is closer to the Chinese cook who leaves hardly any part of a duck unserved.

GRAHAM GREENE

from journal kept while writing A Burnt-Out Case


Every word written is a net to catch the word that has escaped.

JEANETTE WINTERSON

The Stone Gods

Tags: Jeanette Winterson


I wish my prose to be transparent--I don't want the reader to stumble over me; I want him to look through what I'm saying to what I'm describing. I don't want him ever to say, Oh, goodness, how nicely written this is. That would be a failure.

V. S. NAIPAUL

The Paris Review, fall 1998

Tags: V. S. Naipaul