WRITING QUOTES V

quotations about writing

To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence--words you have dreaded and needed in order to know you exist.

ADRIENNE RICH

What Is Found There: Notebooks on Poetry and Politics

Tags: Adrienne Rich


I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968


I will agree that inspired writing is liquid gold when it comes to getting our words on paper. However, only writing when one feels inspired is a quick way to produce little to no content. If we waited to exercise only when we felt inspired we likely wouldn't be getting much movement. When something isn't habit those feelings of inspiration start coming further and further in between.

DANIELLE SABRINA

"5 Habits Holding You Back From Creating Great Content", Huffington Post, February 29, 2016


When a good writer is having fun, the audience is almost always having fun too.

STEPHEN KING

Entertainment Weekly, August 17, 2007

Tags: Stephen King


Once writing has become your major vice and greatest pleasure only death can stop it.

ERNEST HEMINGWAY

The Paris Review, spring 1958


I don't think it is worth explaining how a character's nose or chin looks. It is my feeling that readers will prefer to construct, little by little, their own character--the author will do well to entrust the reader with this part of the work.

JOSÉ SARAMAGO

The Paris Review, winter 1998


It is the glory and the merit of some men to write well, and of others not to write at all.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


For a sentence is not complete unless each word, once its syllables have been pronounced, gives way to make room for the next.

ST. AUGUSTINE

Confessions

Tags: St. Augustine


I wish my prose to be transparent--I don't want the reader to stumble over me; I want him to look through what I'm saying to what I'm describing. I don't want him ever to say, Oh, goodness, how nicely written this is. That would be a failure.

V. S. NAIPAUL

The Paris Review, fall 1998

Tags: V. S. Naipaul


I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph--each sentence, even--as I go along.

WILLIAM STYRON

The Paris Review, spring 1954


What I had to face, the very bitter lesson that everyone who wants to write has got to learn, was that a thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.

THOMAS WOLFE

Selections from the Works of Thomas Wolfe

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A lot of writers ... sit in a log cabin by the lake and put their feet up by the fire in the silence and write. If you can have that that's all very well, but the true writer will learn to write anywhere -- even in prison.

LOUIS AUCHINCLOSS

The Atlantic, October 15, 1997

Tags: Louis Auchincloss


I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.

HURAKI MURAKAMI

Paris Review, summer 2004

Tags: Haruki Murakami


You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence. It's just so easy to give up!

OCTAVIA E. BUTLER

Locus Magazine, June 2000


It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.

MARY OLIVER

The Christian Science Monitor, December 9, 1992


Completing a book, it's a little like having a baby.... There's a feeling of relief and satisfaction when you get to the end. A feeling that you have brought your family, your characters, home. Then a sort of post-natal depression and then, very quickly, the horizon of a new book. The consolation that next time I will do it better.

JOHN LE CARRÉ

interview, The Telegraph, August 31, 2010


To those who no longer have a homeland, writing becomes home.

THEODOR W. ADORNO

Minima Moralia

Tags: Theodor W. Adorno


Every experience shapes your writing, being stuck in a car on a lonely bridge, or dancing at a prom, being the it girl on the beach, all of those things influence your life, they influence how you write, and the topics you choose to write about.

MAYA ANGELOU

Facebook post, October 13, 2012

Tags: Maya Angelou


A writer is a reader moved to emulation.

SAUL BELLOW

attributed, The Hidden Writer

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For those who do not write and who never have been stirred by the creative urge, talk of muses seems a figure of speech, a quaint concept, but for those of us who live by the Word, our muses are as real and necessary as the soft clay of language which they help to sculpt.

DAN SIMMONS

Hyperion